Motivating an Athletic Performer Essay -- Motivation Motiational Theor

This essay will include the different types of motivational theories. It will illustrate the different types of motivation and how each affects the performers in various ways. Positive and negative issues of the types of motivation will be discussed to determine which is the best method of motivation and why. It will also illustrate how these motivational theories are used to motivate a performer. This essay will be concluded by stating the best motivation method, and how a coach or teacher could use it in motivating a performer. Motivation can be described in various ways: (English Oxford Shorter Addition 1993) described motivation as being, "à ¢Ã¢â€š ¬Ã‚ ¦The action or an act of motivating something or someone. The stimulus, incentive, motives for action towards a goal, resulting from psychological or social factors; the factors giving purpose or direction to behaviourà ¢Ã¢â€š ¬Ã‚ ¦." (Kent 1994) described motivation as being, "à ¢Ã¢â€š ¬Ã‚ ¦ the internal state which tends to direct a person's behaviour towards a goalà ¢Ã¢â€š ¬Ã‚ ¦." (Woods, 1998) described motivation as, "à ¢Ã¢â€š ¬Ã‚ ¦motivation has been seen as having two aspects: it is what drives us to do thingsà ¢Ã¢â€š ¬Ã‚ ¦and it makes us do particular thingsà ¢Ã¢â€š ¬Ã‚ ¦." These various descriptions of motivation are putting across all of the same points. All three statements involve an inner drive to a specific goal. These goals are achieved through arousal and the direction of the athlete's behavior. There are various types of motivation such as intrinsic, extrinsic, primary, secondary, positive and negative motivation. Intrinsic motivation is a term used to describe the internal drives that allows the athlete to perform. Intr... ...rises the athletes to perform, creating a job like situation for the players. I believe that there is no best method of motivation a coach or teacher can use on a performer. This is because when you start a particular sport, you do it for fun, but gradually as you get better rewards begin to be offered. Thus resulting in the performers motivation coming more from extrinsic than intrinsic motivation. If the performer wins a competition it will have a positive affect on them intrinsically as well as extrinsically, as the performer will fell good about the reward as much as he feels good about how much effort was concerned in obtaining the reward. There has to be a balance, as if it is to extrinsically motivated their will be no enjoyment competing in the sport, therefore the performer will get bored and quit.

Generally Accepted Accounting Principles and Profit Margin Percentage

Place your name and the date at the top of the page, and answer the following questions making sure you SHOW YOUR WORK. 1. A hardware store bought a gross (12 dozen) of hammers, paying $602. 40 for the total order. The retailer estimated operating expenses for this product to be 35% of sales, and wanted a net profit of 5% of sales. The retailer expected no markdowns. What retail selling price should be set for each hammer? [Hint: The way to handle this problem is to say that the Gross Profit Margin has to cover the 35% of expenses applicable to the product plus the 5% of net profit wanted. And once you know the GPM%, you know the Cost percentage of the Selling Price. ] 2. Competition in a line of sporting goods limits the selling price on a certain item to $25. If the store owner feels a margin of 35% is needed to cover expenses and return a reasonable profit, what is the most the owner can pay for this item? [Hint: Remember, if you know the margin percentage, then you know the cost percentage. ] 3. A retailer with annual net sales of $2 million maintains a markup of 66. 67% based on cost. Operating expenses average 35%. What are the retailer's gross margin and net profit in dollars? [Hint: A Markup on Cost is equivalent to what Gross Profit Margin percentage? ] 4. The cost to a manufacturer of flat panel displays for producing its newly designed TV Display 1000 is $250. 00. The cost for Research and Development of their new product being sold to OEMs as a component product has been one million dollars. The sales and promotional budget is $600,000, and all other fixed costs amount to $200,000. The Marketing Director and his staff have estimated demand for the new display to be between 50,000 and 75,000 units over the next year. They also have decided to price the new Display 1000 at $450 to their OEM customers. (a) How many Display 1000s does the manufacturer have to sell in order to breakeven? (b) What is the manufacturer’s unit contribution to profit in percentage? (c) What is the manufacturer’s markup on cost in percentage?

Movies Realism Literature Review

INTRODUCTION Cinemas are the central spot of people’s visual entertainment, acting as the medium between the art of movie directors and the audiences seeking the getaway from real world reality. It is at the cinema where people enjoy themselves by watching movies that they may find interesting initially regardless of the language, locality or storyline, as long as that one particular movie is intriguing enough to make them go to the cinema to get their movie-o-meter filled with appealing crafts from many directors. The cinemas as they are today are far significantly different from what they used to be decades ago, as this highly profiting business has been going on since the 1850’s, particularly originated in England to be the first in public screening, although the first use of movie projection is unknown. However, putting aside the revolutionary cinema technology, one good movie is mostly contributed by the production team dedication and hard works. It should not matter if a movie is less use in impressive CGI since a ‘plain’ movie but with proper cast and content, it could match with a movie rich in the technology. This kind of good content or storyline is another factor that has been influencing both the production to create such movie which is poor in fake yet astounding visual appearance but to pursue more on the content largely. It has also been observed that a good movie needs good script or dialogue other than the casts, for instance _V for Vendetta_ (2005), it did have a few scenes in CGI but the real strength behind the success of this movie was the dialogue, its great casts and the political theme. The mentality of the locals towards Malaysian made movies has always been criticized by Malaysians ourselves; however the irony is despite the constant claim of Malaysians that they could tolerate Malaysian movies, this phenomenon still exists, where people especially the research subject, Malaysian audiences, stand on this issue of the reasons they ditch local most local movies as unrealistic in contrast to its crux of escaping reality. Often in newspapers and mass media people could be seen writing to editors on how disappointed they were in local movies direction but praised the realism aspect on foreign movies, especially of Hollywood. The reason movies or any other forms of visual entertainment were created was to add some unrealistic factor based on the ‘reality’ of the world outside the movie, since the movie production cannot make money if they just simply show what the audiences have gone through every day in their lives, nothing of new and fresh that could catch the attention of the audiences. This research is anticipated to know why such paradox exists among the local viewers particularly, or something about the mentality of Malaysian audiences. When this peculiarity is triggered, there are parties affected definitely. The obvious impact would be on production companies, with very narrow focus on local market itself, these production companies would not be able to sustain longer given that this ‘sentiment’ goes on. It is obvious enough since when there is lack of support and interest, plus the unfair discernment by the Malaysians, the companies have no other way than to close down production, or face far worse condition of bankruptcy. It is not just the companies that would have to shut down, but indirectly the actors and actresses would have to start over something new to accommodate their lives, the fortunate enough to have backup form of income could still survive, but the bigger impact is the industry will be crumbled, as the industry has never been given a chance to prove that Malaysian movies could evolve and change the mindset of Malaysians in the first place. Secondly, local TV companies would also face difficulties and humongous expense to procure foreign TV contents more to cater the hankering of viewers, as well as to fill in the absence or the sheer lack of local movie content. The negativity cycle continues to Malaysian government policy of foreign content, with this much impact slowly influencing the mindset of people, government will require thorough amendment of its policy to curb the foreign content while preserving the local one, as although this phenomenon is still not chronic, however it is best to fear and prepare for the worst. Although the process of obtaining past researches on similar phenomenon yields nothing, hence this research is believed to be pioneer in digging deeper into this peculiarity. However, it is mostly understood that some variables, or the causing factors are such like age, education, place of living, influence of significant others, different subcultures, and as well as level of exposure to foreign movies and online reviews. Initial observation (pre research) shows that people living in cities are more susceptible to this phenomenon, most possibly due to the flooding of foreign movies that are relatively better than local movies in general, may be reinforced by the pressure of others into forming a typical mentality. The Phenomenon Exactly like previously mentioned, the peculiarity that triggered the research in the first place was what causes the incongruity of denying local movies as realistic while at the same time concurring how realistic foreign movies are on the same basis that movies are not supposed to be real. There is no problem with the ticket sales or revenues of local movies, since local movies do receive high gross profit in local market, for instance Cicakman,, a hero-fantasy movie scored RM6. 7 million while still in the same movie theme, Spiderman scored USD 2. 1 million in Malaysian market, of course it is not fair to compare the fan base but this proved that there is no problem with the behavior of Malaysian viewers, but the perception of the people. In simpler meaning, they do watch local movies but constantly undervalue every factor available in regards to foreign movies, and this research is meant to discover the plausible sources. Depende*nt Variable In determining what dependent variables of this research are going to be, firstly it is important to identify what kind of approach the research is going to be conducted, and since the topic is planning to digging up the mind or stigma of people, hence perception approach is the correct channel to analyze the Malaysians mentality on whether they find local movies are not realistic compared to foreign movies. Therefore it is obvious that the perception or mindset of the local Malaysians is the subject issue, which is ultimately the dependent variables that would be affected at the end of the cycle of factors. A perception is the result of many surrounding elements or influencing factors, whereby it is like a blank canvas ready to be painted with the colors of perceived reality affecting the mindset. Hence, it is ironic that for a movie watcher to have biased insight against the local movies escaping reality nature, but what is wryer than that is through initial observation of this phenomenon; some people do not have this stigma and because of that it further strengthens our decision of making the perception of audience as the dependent variable where it will see changes when any independent variable is put as a trigger or cause. The perception of audience is also identified to be the dependent variable due to the fact that they live in Malaysia, which are supposedly giving them the familiarity of the culture that is incorporated into the local movies, and since it is a psychology phenomenon we cannot directly measure one’s mind but we can measure up the extent or the spread of this particular perception of movie audience. With all the rationale it is then decidedly that we are going to use the perception of audience as the dependent variable that changes accordingly to the identified independent variables to get us closer to the ‘reality’ of the research topic. Independent Variables As mentioned earlier, there are forces that act behind the shadow of the dependent variable which was the perception of unrealistic local movies among audience. There is not only one but many credible elements that manipulate the outcome in various ways when these independent variables are put in motion to exploit the results in diversified changes. The factors below are notified to be of the most significant variables that could show momentous variety outcome on the dependent variable. ?Flooding of Foreign Movies Undeniably the ratio of foreign movies in Malaysia has significantly overshadowed the locally made movies. There is no restriction only to Hollywood movies, but lately many more movies from all over the world such as Middle Eastern, Bollywood, European, Hong Kong and Japan gets the attention of movie distributors in dispersing the foreign movies here in Malaysia. Judging from the overall movie titles per month basis, locally made movies, be it Malay, Tamil or Chinese movies are still on the minority scale compared to the available foreign titles which make up most of the showing list. With this much flooding of foreign movies that does not halt its presence here in Malaysia throughout the whole year, Malaysians are served with these foreign movies especially of Hollywood (being the most popular), therefore it is definitely a crucial factor to count in the ‘excess’ of the foreign movies may contribute to the perception of Malaysians that local movies are nowhere as realistic to foreign movies. ?Influence of Friends There is no single person on earth can stand loneliness hence the very reason why they need company. Friends do indeed play the most significant role of shaping the not only attitude but also the large percentage of perception pattern. Studies show that the influence of friends often surpassed the influence expressed by family members particularly during the age of adolescent; afterwards it would be a mixture of many factors. People also shares more secrets with their friends, so in this case people will be frequently affected by their friends’ mindsets to envision and share common view on a particular movie, as the one that people go and watch movies together are with friends. It is important to keep one’s insight perhaps on any significant issue in line; therefore resulting in strong and impenetrable wall of perception on whatever issue that they agree on, and it could be unintentionally in the beginning but the effect of the ‘friendship’ especially brotherhood-like bond will be concreting their perception on local movies realism. ?Pre-nurtured Stigma of Superior Others As citizens of a country that has gone through many colonial rules since half a millennium ago starting with Portuguese in Malacca in 1511, Malaysians (Malayans before independence) had always been conquered both physically and internally. These conquerors proved that they were not only superior in military and firepower technology, but also they left the impression that we the natives of our land could never stand on par with them in everything including culture, deeply tainted within our ancestors’ perception. Unfortunately this stigma has been ancestrally passed down from one generation to another and even now some Malaysians do still consider the grass of the other side to be greener. Although it sounds general but this perception is strong enough to be identified as one of the factors that could cause dissimilarities in the dependent variable as they watch and analyze a movie through a programmed way of thinking although it is full of preconception. ?Technology Used in Movies Realistic is commonly defined as â€Å"aware or expressing awareness of things as they really are†, and if we are to follow this version of realistic then the technological aspect in a movie plays extremely important role to influence the perception of viewers. The technology of CGI and lately the assimilationof three dimensional perspectives have caught the wows and awes of audience. The main point in taking the technological aspect of movies is since foreign movies magically make something that was not there to appear, in other word, fake but are considered as realistic, then do the ‘low’ technological local movies that do not go through this process of faking things out awkwardly being regarded as unrealistic? As weird as it may sound, this is what makes the technology used in movies as an altering factor that could shift the mentality of viewers that local movies are not realistic out of the stable axis. The burden of a movie success is not just lying on the shoulders of the actor and actresses alone but a movie is the child of a director therefore it is the responsibility of a director to make sure the overall quality of the movie is intact. A movie direction is the result shown by the combined talent, skills and hard works of the production team including the casts, crews and producers. Bad leadership and directing by a director will ultimately summon dissatisfaction from the viewers and critics, for example. With this principle it is not surprising that it gets to be one of the factors that influence our dependent variable. Research Objective Who is not attracted to the animating pictures projected on a huge, wide silver screen and watch our imagination gets flashed on the screen? The world nowadays has changed drastically that entertainment is not only limited to the words written on paper, also not the television series nor movies, but it has expanded close to once before science fiction. Entertainment can be defined as a diverting activity that holds the attention of the people. Entertainment by itself holds wide definition so it is wise to peg down to a smaller scale of business aspect, since movies or films is a shell containing motion pictures to be viewed purely as a medium of art in the bigger entertainment industry. Mankind has studied many things that are intriguing enough to them, either just for entertainment or educational purpose, and throughout the times academicians have regarded movie industry as a legit study field that provides the opportunity to examine the elements of movies or films. The ever expanding cinema or Cineplex has turned motion pictures as one of the most profitable entertainment industry especially in Hollywood, which is the pioneer in almost any new film technology. Digital format has taken the place of analogue film technology and the changes can be immediately seen, hardly nowadays a cinema used roll-film and viewers had to experience the visual scratch anymore since cinema projectors had switched to a digital video projection as well as cleverly stimulated surround sound. Every moment passes the scenes of movie industry is changing, one second next will be different than one second before, as the entertainment industry especially in the movies form will keep on evolving to cater people needs. Research Questions _Is the flooding of foreign movies causing a person to have biased perception on local movies? _ Through this question we could get a more in-depth idea on the relationship between the foreign movies invasion on Malaysian shores and its impact on the perception of Malaysians. This question is remarkable since there are people who think of local movies are more realistic than foreign movies, despite the fact that Malaysian cinemas are constantly showing foreign titles more than local movies. It is important to relate the over exposure of foreign movies inclusive of the reviews and other promotional attempts with the impact on the viewers so we could assess the depth or extent of these two variables. Does influence of friends affect the mindset of Malaysians to underestimate realism of local movies? Friendship ‘forces’ a person in that circle to behave, think and perceive things on the same line with very minimal deviation. It is no wonder what friend factor could influence one’s perception, and this is why it is beneficial to know how far do friends play their parts to mold each other by ‘imposing’ a general idea that is to be shared by the circle, or in the process there is a possibility that the impact is backed up by other hidden factors, unseen until they strike. We will be able to find out whether the question will bring us closer to yes or no by analyzing the answers from the samples during the research. Does the stigma of ‘superior others’ instilled prematurely impose biased perception on local movies? As mentioned previously under independent variables, it is widely known that even though through words Malaysians may deny that they do not think outsiders are always ahead of us, but their behaviors may tell otherwise and perhaps describe the true perception. Therefore, we would measure how far this one particular stigma is affecting the phenomenon we are trying to study. The caustic remark is too great to be cast aside since realistic factor in local movies can never be as close as o those of foreign movies according to the phenomenon, but by obtruding our definition of the nature of movie which is as an escape to real world, is not it supposed to be otherwise? Is the perception of realistic factor of local movies shaped by the technology used in movies? The evolution in cinema technology has always started outside of Malaysia, thus one of the reasons why there is not m uch newer technology used in local movies. However, is there any basis in theorizing a movie is not realistic when it does not use sophisticated technology? If there is, will it be affecting whether people like the movie or otherwise? This question should be tackled since most viewers; in particular the Malaysian viewers do not have the ability to analyze movies from education and artistic aspect, but often lay opinion based on what they see with naked eyes, which should conform its nature of entertainment. Does director’s proficiency have any impact on what people think of realism factor of local movies? Just like the casts, directors do have their own fans and followers who support them in their career, and just like the actor and actresses also, the industry appreciate and recognize directors’ contribution as the most important aspect of movie success. Their skills differ thus the reputation they have been building is identified as one of the question on whether they do take tolls on people perception of local movies to be deemed as not realistic enough, satirically going against escapism core purpose of watching movies. Reference Perception. In Wikipedia. Retrieved February 22nd, 2010 from http://en. wikipedia. org/wiki/Perception Dictionary. com (2010, February 22nd). Perception – Define Perception at Dictionary. com Retrieved from http://dictionary. reference. com/browse/perception Internet. om (2010, February 26th) What is Movie Mode? Retrieved from http://www. webopedia. com/TERM/m/moviemode. html_ BoxOffice Mojo, (2010, February 26th). Species (1995). Retrieved from http://www. boxofficemojo. com/movies/? id=species. htm BoxOffice Mojo (2010, February 26th). Species II Retrieved from http://www. boxofficemojo. com/movies/? id=species2. htm BoxOffice Mojo (2010, February 28th). Spider-Man (2002) International Box Office Results Retrieved from http://www. boxofficemojo. com/movies/? page=intl&id=spiderman. tm Intro2u Blog (2010, February 28th). Cicakman 2 Retrieved from http://www. intro2u. net/new/2008/08/cicakman-2/ Syed Ali, Syed Azwan, (2010, March 3rd). Local Film Industry Moving Ahead Retrieved March 4th, 2010 from Bernama website http://www. bernama. com/bernama/v5/newsfeatures. php? id=479303 M. Varkevisser, Corlien; Pathmanathan, Indra; and Brownlee, Ann (2003). Formulation of Research Objectives, Designing and Conducting Health System Research Projects, (Module 6) Retrieved from http://www. idrc. ca/en/ev-33011-201-1-DOTOPIC. html_

The Regents of the University of California v. Bakke

The Regents of the University of California v. Bakke The Regents of the University of California v. Allan Bakke (1978), was a landmark case decided by the United States Supreme Court. The decision had historical and legal significance because it upheld affirmative action, declaring that race could be one of several determining factors in college admission policies, but rejected the use of racial quotas. Fast Facts: Regents of the University of California v. Bakke Case Argued: Oct. 12, 1977Decision Issued: June 26, 1978Petitioner: Regents of the University of CaliforniaRespondent: Allan Bakke, a 35-year-old white man who had applied twice for admission to the University of California Medical School at Davis and was rejected both timesKey Question: Did the University of California violate the 14th Amendments Equal Protection Clause, and the Civil Rights Act of 1964, by practicing an affirmative action policy that resulted in the repeated rejection of Bakkes application for admission to its medical school?Majority Decision: Justices Burger, Brennan, Stewart, Marshall, Blackman, Powell, Rehnquist, StevensDissenting: Justice WhiteRuling: The Supreme Court upheld affirmative action, ruling that race could be one of several determining factors in college admission policies, but it rejected the use of racial quotas as unconstitutional. Case History In the early 1970s, many colleges and universities across America were in the beginning stages of making major changes to their admissions programs in an effort to diversify the student body by increasing the number of minority students on campus. This effort was particularly challenging due to the 1970s massive increase of students applying to medical and law schools. It increased the competition and negatively impacted the efforts to create campus environments that promoted equality and diversity. Admission policies that relied predominantly on candidates grades and test scores was an unrealistic approach for the schools that wanted to increase the minority population on campus.   Dual Admission Programs In 1970, the University of California Davis School of Medicine (UCD) was receiving 3,700 applicants for a mere 100 openings. At the same time, UCD administrators were committed to working with an affirmative action plan often referred to as a quota or set-aside program. It was set up with two admissions programs in order to increase the number of disadvantaged students admitted to the school.  There was the regular admissions program and the special admissions program.Each year 16 out of 100 places were reserved for disadvantaged students and minorities including (as stated by the university), blacks, Chicanos, Asians, and American Indians. Regular Admissions Program Candidates who quailed for the regular admissions program had to have an undergraduate grade point average (GPA) above 2.5. Some of the qualifying candidates were then interviewed. Those who passed were given a score based on their performance on the Medical College Admissions Test (MCAT), science grades, extracurricular activities, recommendations, awards and other criteria that made up their benchmark scores. An admissions committee would then make a decision on which candidates would be accepted into the school. Special Admissions Program Candidates accepted into the special admissions programs were minorities or those who were economically or educationally disadvantaged. The special admissions candidates did not have to have a grade point average above 2.5 and they did not compete with the benchmark scores of the regular admission applicants.   From the time that the dual admissions program was implemented the 16 reserved spots were filled by minorities, despite the fact that many white applicants applied for the special disadvantaged program. Allan Bakke In 1972, Allan Bakke was a 32-year-old white male working as an engineer at NASA, when he decided to pursue his interest in medicine. Ten years earlier, Bakke had graduated from the University of Minnesota with a degree in mechanical engineering and a grade-point average of 3.51 out of 4.0 and was asked to join the national mechanical engineering honor society. He then joined the U.S. Marine Corps for four years which included a seven-month combat tour of duty in Vietnam. In 1967, he became a captain and was given an honorable discharge. After leaving the Marines he went to work for National Aeronautics and Space Agency (NASA) as a research engineer.   Bakke continued going to school and in June 1970, he earned his masters degree in mechanical engineering, but despite this, his interest in medicine continued to grow. He was missing some of chemistry and biology courses required for admission into medical school so he attended night classes at San Jose State University and Stanford University. He completed all the prerequisites and had an overall GPA of 3.46. During this time he worked part-time as a volunteer in the emergency room at El Camino Hospital in Mountain View, California. He scored an overall 72 on the MCAT, which was three points higher than the average applicant to UCD and 39 points higher than the average special program applicant. In 1972, Bakke applied to UCD. His biggest concern was being rejected due to his age. He had surveyed 11 medical schools; all who said that he was over their their age limit. Age discrimination was not an issue in the 1970s. In March he was invited to interview with Dr. Theodore West who described Bakke as a very desirable applicant who he recommended.  Two months later, Bakke received his rejection letter. Angered by how the special admissions program was being managed, Bakke contacted his lawyer, Reynold H. Colvin, who prepared a letter for Bakke to give to the medical schools chairman of the admissions committee, Dr. George Lowrey. The letter, which was sent in late May, included a request that Bakke was placed on the wait-list and that he could register during the fall of 1973 and take courses until an opening became available. When Lowrey failed to reply, Covin prepared a second letter in which he asked the chairman if the special admissions program was an illegal racial quota. Bakke was then invited to meet with Lowreys assistant, 34-year-old Peter Storandt so that the two could discuss why he was rejected from the program and to advise him to apply again. He suggested that if he was rejected again he may want to take UCD to court; Storandt had a few names of lawyers that could possibly help him if he decided to go in that direction. Storandt was later disciplined and demoted for displaying unprofessional behavior when meeting with Bakke. In August 1973, Bakke applied for early admission into UCD. During the interview process, Lowery was the second interviewer. He gave Bakke an 86 which was the lowest score Lowery had given out that year. Bakke received his second rejection letter from UCD at the end of September 1973. The following month, Colvin filed a complaint on Bakkes behalf with HEWs Office of Civil Rights, but when HEW failed to send a timely response, Bakke decided to move forward. On June 20, 1974, Colvin brought suit on behalf of Bakke in Yolo County Superior Court. The complaint included a request that UCD admit Bakke into its program because the special admissions program rejected him because of his race. Bakke alleged that the special admissions process violated the U.S. Constitutions Fourteenth Amendment, the California Constitutions article I, section 21, and Title VI of the 1964 Civil Rights Act.   UCDs counsel filed a cross-declaration and asked the judge to find that the special program was constitutional and legal. They argued that Bakke would not have been admitted even if there had been no seats set aside for minorities.   On November 20, 1974, Judge Manker found the program unconstitutional and in violation of Title VI, no race or ethnic group should ever be granted privileges or immunities not given to every other race. Manker did not order to admit Bakke to UCD, but rather that the school reconsiders his application under a system that did not make determinations based on race. Both Bakke and the university appealed the judges ruling. Bakke because it was not ordered that he be admitted to UCD and the university because the special admissions program was ruled unconstitutional.   Supreme Court of California Due to the seriousness of the case, the Supreme Court of California ordered that the appeals be transferred to it. Having gained a reputation as being one of the most liberal appellate courts, it was assumed by many that it would rule on the side of the university. Surprisingly, the court upheld the lower-court ruling in a six to one vote. Justice Stanley Mosk wrote, No applicant may be rejected because of his race, in favor of another who is less qualified, as measured by standards applied without regard to race.   The lone dissenter, Justice Matthew O. Tobriner wrote, It is anomalous that the Fourteenth Amendment that served as the basis for the requirement that elementary and secondary schools be compelled to integrate should now be turned around to forbid graduate schools from voluntarily seeking that very objective. The court ruled that the university could no longer use race in the admissions process. It ordered that the university provide proof that Bakkes application would have been rejected under a program that was not based on race. When the university admitted that it would be unable to provide the proof, the ruling was amended to order Bakkes admission into the medical school.   That order, however, was stayed by U.S. Supreme Court in November 1976, pending the outcome of the petition for a writ of certiorari to be filed by the Regents of the University of California to the U.S. Supreme Court. The university filed a petition for writ of certiorari the following month.

CIS206 U4 Research Assignment Example

CIS206 U4 Research Assignment Example CIS206 U4 Research Assignment – Coursework Example Controlling active processes in UNIX Insert Insert UNIX is a multiprocessing operating system. The process can either be suspended, running in the foreground or running in the background at any given time. UNIX also provides the option to set processes to run when you have logged off or run when you are not using it. To control the processes running in UNIX, you need to identify the jobs running in the background and to be able to view your processes. Further, it involves killing the processes. Every job that is or running in the background has a number that identifies them. The command jobs shows the commands started from a particular controlling terminal (Service, June 2006). When more than one terminal is running in the window, each of them will have a separate list of background jobs. The latter command will calculate the status of a job according to rules. First, the job that is most recently becomes the most current. Second, all jobs that have been stopped are more present than those that are running. Finally, for the jobs running, the most current is the one that is first. You can also use the jobs –I option to show the identification number of that job. The ps command is used to view information concerning the processes that are by all the users on the same system. It includes the various processes making up a particular job. In addition, it shows the how far a particular job has made progress. Ps has a variety of options custom made to display different information about the processes running on the system. The command man ps show those options.The command control / C enable the user to kill running processes in the foreground. Those running in the background can be terminated by using the kill command. The order is to use the ps command to show you the command you want to kill, and it’s PID. To kill the processes you have chosen use the command, kill –HUP PID. HUP sends a signal to the job for hung up thus allowing it to exit and to close the open files. Essentially, killing a process is a necessary precaution in some circumstances when other processes need to be more processing power. ReferencesService, U. o. (June 2006). Managing your UNIX processes. Durham: University of Durham Information Technology Service.

Note Taking Tips

Note Taking Tips Note Taking Tips Note Taking Tips By Sharon Writers may all have digital recorders but there are still some times when we need to take notes the old fashioned way. You know, with a pen and paper. If youre interviewing someone before writing an article, its good to take notes just in case the technology fails. However, interviews meander all over the place so it can be difficult to read your notes afterwards. Luckily, theres a simple trick you can use to make sure your interview notes are always readable. Its this: When writing notes in a notebook or notepad, write on alternate lines. Writing on every other line means that your writing doesnt get jumbled up. It also means you have room to go back and write additional information or clarification. At the end of the interview you will still be able to read all your notes clearly, even if your handwriting is terrible. And it will also make it easier to write additional notes before you start writing. Here are some other note taking tips from around the web: Use a three-ring binder instead of a spiral or bound book. Pages can be easily removed for reviewing. Practice management advisor, Joyce Brafford says â€Å"there’s no shame in drawing charts or shapes if it aids your understanding.† Write out your notes in your own words (not verbatim from a teacher or colleague). One exception to this is when you hear a good turn of phrase that helps you remember the the note, or if youre writing out a direct quote. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the General category, check our popular posts, or choose a related post below:4 Types of Gerunds and Gerund PhrasesWhenever vs. When Ever5 Keys to Better Sentence Flow

Radio 1 report Essay Example | Topics and Well Written Essays - 1000 words

Radio 1 report - Essay Example BBC has many local stations in different cities of the UK. Around 40 local radio stations are working in England and Channel Islands under the name of BBC. BBC Radio 1 was established in 1967 with an intention to broadcast popular music and other entertainment activities. The popularity and the rating of Radio 1 were extremely high until recent times. However, the popularity of radio 1 seems to be declining in recent times. â€Å"Radio 1 had 10.87 million listeners in the third quarter of 2008, up from 10.58 million in the third period of 2007. However, listeners tuned in for less time, with a fall in its audience share to 9.8% from a seven-year high of 10.6% the same period last year† (Plunkett, 2008). This paper explains the station policy, play lists, and specific programs that are broadcasted by radio 1. Also, this paper analyses how fully and completely does radio 1 provides access to culture, music and public service inspired ideas specified in its service remit Unlike many other radio stations in the UK, radio 1 works on some unique policies. For example, radio 1 usually conducts roadshows with the DJs and pop stars in order to reach out even distant audience. The direct experiences received from the audiences will be broadcasted from 16:00-19:00 every weekday, with a 15-minute break at 17:45(BBC Radio 1, 2014) There are hundreds of programs broadcasted by Radio 1. A unique program of radio 1 is the breakfast show. It is broadcasting between 6:30 am and 10:00 am, Monday to Friday and is hosted by Nick Grimshaw at present. Dance Anthems, Xtra’s stories, Essential mix, Xtra live, chart shows such as UK singles chart (aired on Sunday afternoons) etc are some of the other popular shows on radio 1 (BBC Radio 1, 2014). Apart from regular shows, radio 1 airs many special shows and events time to time. For example, radio 1 has celebrated its 40